Sherlock Jr’s “movie within a movie”: The scenery changes around Buster Keaton very quickly. He suddenly finds himself in a doorway to a garden, on a crowded city street to on top of a rock, etc. Keaton later recalled that his cameraman, Byron Houck, had used surveying instruments to position him and the camera at the exact correct distances and positions to give the illusion of continuity as the scenes changed. Long before CGI, Keaton created a vivid world with its own laws.

(Source : maudit, via certifiedhottie)

(Source : maudit, via prellung)

Steamboat Bill, Jr., 1928

lucyphermann:

byronic:

Buster Keaton - photo digitally colourised by claroscureaux; via

hydrargyrum:

extranuance:

budandpaul:

Buster is insane…

How droll

I'm Miriam. I'm queer and feminist. I listen to Tom Waits. I have a love of obscure cinema, Twin Peaks, Blade Runner, and foxy Europeans.

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