(Source : germanwarhero)



(Source : mslaurent, via shoppermania)





(Source : kinderbraverbolder, via doux-parfums)



“When I met with Mélanie, Daniel (Brühl) had already been cast so we auditioned them together and it was like old movie star magic time. I was like, ‘God, if this was like a movie in the Forties, Daniel and Mélanie would be the ones to play these characters.’ It had almost like a cool, old Hollywood glamour about them playing it.” Quentin Tarantino on the casting (and chemistry) of Mélanie Laurent and Daniel Brühl as Shosanna Dreyfus and Fredrick Zoller for Inglourious Basterds (X)

“When I met with Mélanie, Daniel (Brühl) had already been cast so we auditioned them together and it was like old movie star magic time. I was like, ‘God, if this was like a movie in the Forties, Daniel and Mélanie would be the ones to play these characters.’ It had almost like a cool, old Hollywood glamour about them playing it.”

Quentin Tarantino on the casting (and chemistry) of Mélanie Laurent and Daniel Brühl as Shosanna Dreyfus and Fredrick Zoller for Inglourious Basterds (X)



“I have faith,” she said, “We’re still young, you and me. We’ll make it out okay.” Betty Blue, by Philippe Dijan

“I have faith,” she said, “We’re still young, you and me. We’ll make it out okay.”

Betty Blue, by Philippe Dijan



passionslipsaway: Inspired by [x]

passionslipsaway:

Inspired by [x]

(via shoppermania)



(Source : laurentmelanie, via shoppermania)



(Source : melanieslaurent, via catdaddys)



(Source : cast-aside, via shoppermania)



And a few words from Quentin (because who knows his own characters better than him?): “And there is this aspect that all these people were trying to kill Zoller, he’s just the one who won. And everything he’s doing he’s doing with the best intentions. He’s screwing her up so bad it’s not even funny, but he doesn’t know that. And to me, at the end, there’s an almost Romeo and Juliet quality to their end. And in a different time, things could have been different.” (X) “Because there was something about Zoller. He really liked her. Everything Zoller did that ended up fucking her up and putting her in this situation, he did with good intentions. His biggest crime was liking her. I think of that scene as a romantic scene. It’s Romeo and Juliet. Those bullets? That’s them consummating their relationship. In any other time in the 20th century, they could have been in love. Except for that one time.” (X) “I see them as my tragic lovers: My Romeo and Juliet. His only crime is being attracted to her under the worst possible circumstances. Any other time, it might have worked.” (X) And of course, from the screenplay: The face on the silver screen breaks the young girl’s heart.

And a few words from Quentin (because who knows his own characters better than him?):

“And there is this aspect that all these people were trying to kill Zoller, he’s just the one who won. And everything he’s doing he’s doing with the best intentions. He’s screwing her up so bad it’s not even funny, but he doesn’t know that. And to me, at the end, there’s an almost Romeo and Juliet quality to their end. And in a different time, things could have been different.” (X)

“Because there was something about Zoller. He really liked her. Everything Zoller did that ended up fucking her up and putting her in this situation, he did with good intentions. His biggest crime was liking her. I think of that scene as a romantic scene. It’s Romeo and Juliet. Those bullets? That’s them consummating their relationship. In any other time in the 20th century, they could have been in love. Except for that one time.” (X)

“I see them as my tragic lovers: My Romeo and Juliet. His only crime is being attracted to her under the worst possible circumstances. Any other time, it might have worked.” (X)

And of course, from the screenplay:

The face on the silver screen breaks the young girl’s heart.

(Source : inglourious-basterds-confessions)



(Source : germanwarhero)





(via shoppermania)



Your heart, my love, is apocalyptic.


I'm Miriam. I'm queer and feminist. I listen to Tom Waits. I have a love of obscure cinema, Twin Peaks, Blade Runner, and foxy Europeans.

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